![]() The plug-in now caches the store catalog locally, and only reaches out to the API when data is stale instead of every time the plug-in starts up.Fixed a bug that was causing the plug-in to crash sometimes when switching presets.Fixed a bug that was preventing group amp modulation from working when a group has a tag.Fixed a bug that was causing the filter to sometimes produce static when it was modulated ( 0000051).Fixed a bug that was causing sound to be muted when the filter resonance (Q) was set to zero ( 0000023).Boosted the maximum number of effects to 16 ( 0000046).When a new preset is loaded, the keyboard should be centered on the available range of that instrument.If the user is able to find the library, instrument settings get preserved. When the plugin is unable to find a sample library, it now pops up a dialog box that says so and allows the user to find the library.Added a panel within the DS store that tells a user whether or not they are logged in ( 0000061).Fixed a bug that was occasionally resulting in users getting logged out of the DS store without even knowing it.Fixed a bug that was causing the wave shaper effect’s volume to get much louder when the effect was turned off to safe CPU ( 0000062).Fixed a bug that was preventing two modulators from targeting the same group-level effect parameter ( 0000063).Clicking on the sample library allows you to download the updates. ( 0000063) In the Decent Sampler store, when library updates are available, a new icon shows up next to the sample library. ![]() Includes a number of small bug fixes that should improve reliability of loading presets.Fixes a bug that was causing the plug-in to crash in Apple Logic sometimes.Fixed a bug that was causing the release phase of the ADSR envelopes to last much longer than it needs to.Made the waveshaper effect more efficient.We soon realized what was happening to our new baby: It was looking more and more like its true father, a famous 5-voice polyphonic synthesizer from the same company born in 1978.Older versions can be found here: Windows Mac Linux A few cuts were inevitable (for instance in Repro-1, oscillator B can modulate its own pulse width, which we gladly dropped from Repro-5). It seemed that people liked Repro-1 so much, they wanted more… Would we please consider making it polyphonic?Īfter umming and ahing about the idea, we decided to give it our best. Repro-5 adds new dimensions to the familiar classic sound while keeping analogue authenticity front and centre.įirst we released Repro-1, a faithful component-level model of what was perhaps the mostpowerful-sounding monophonic keyboard ever built. Keep it lush, or go for thick detuned unison leads. First: it's polyphonic! Play rich pads, shape them using the resonant lowpass filter, drive the polyphonic distortion unit as hard as you like, and finally polish your sound with five built-in effects. ![]() Repro-5 shares a lot of sonic DNA with Repro-1, but adds new flavours and characteristics. Despite its molded plastic panel and the limitations of monophony, it sold surprisingly well and is generally recognized as an iconic piece of synthesizer history. The circuit design made good use of standard Curtis chips and the little onboard sequencer was more than just a welcome extra. Fat drones, cutting leads, funky basses, quirky sci-fi sound effects – this synthesizer delivered on all counts. ![]() To be commercially viable, any new monophonic instrument had to be cheap but very capable. In the early 1980s, polyphonic synthesizers were almost within reach of the average musician. The plug-in is a component-level model of perhaps the most powerful-sounding monophonic keyboard ever built. Hard working, raw sounding and immediately playable, it's a simple and intuitive synthesizer which belies a deep feature set capable of a wide range of sounds. Repro-1 is a fierce monosynth: The classic design gives you immediate access to all the raw power: Two oscillators, self-oscillating 4-pole lowpass filter, arpeggiator, step sequencer, the unique modulation section, and five stomp-box effects which can be arranged in any order.
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